“Beautiful and tragic and goddamn fucking terrifying… the pièce de résistance of this production is the outstanding sound design…”Manage the Stage

“had me holding my breath and gripping my sleeves, anxious of what was about to transpire next.” For the Balcony

“a major shoutout must be given to the set- it seems simple but it is so well done and has fantastic details.”

“…attacks your senses and your sensibilities… It’s frightening and weirdly encouraging.”

“If this play was an episode of Black Mirror it would be the best piece of sci-fi horror they produced”

“The true cosmic horror is loneliness.”

“Ingeniously staged… there is a significant sense of foreboding, and the play slowly doles out information, allowing the audience to piece together the terrible things to come… collectively written and directed, teems with visceral, committed performances… A potent theatrical reckoning with power’s tendency to weaponize faith, Holy, Holy, Holy’s power is undeniable.” cHICAGO rEADER

“perfectly cruel”

“AZC is the next frontier – I’m serious!”

“An absolute don’t miss, incredible work happening here by one of the most exciting ensemble in chicago”

“The blood work was honestly incredible and the myriad of religious themes were so evocative.. Pull off a controlled chaos in a very authentic way.”

“I’ve never seen anything like that.”

“Innovative, spooky, unsettling, lovecraftian, fully immersive.”

“The creepiest f***ing thing I’ve ever seen.”

“A ghost story should never be a long story. This was a very very good story.”

“Fear is so difficult to pull off… those visceral spaces to play in, in a suspended disbelief kind of way. THRALL…It was f***ing awesome, it was great, incredibly articulately staged, evokes exactly what they were going for, worth an hour of your time.”

“A beautiful piece…Such a force of ensemble led devised work, it made every artist who saw it super jealous.”